https://www.sci.news/physics/scientists-suggest-turin-shroud-authentic.html
A team of researchers from the National Agency for New Technologies, Energy and Sustainable Economic Development (ENEA), Italy, has found that the Shroud of Turin is not a fake and the body image was formed by a sort of electromagnetic source of energy.
Italian researchers in
the report, published by the ENEA Research Centre of Frascati, describe their findings obtained during five years of experiments and deny the hypothesis that the Shroud of Turin is a medieval forgery.
The researchers, including Paolo Di Lazzaro, Daniele Murra, Enrico Nichelatti, Antonino Santoni and Giuseppe Baldacchini, successfully achieved a superficial coloration similar to that of the body image embedded onto the Shroud of Turin by excimer laser irradiation (spectrum of the emitted light in the ultraviolet and vacuum ultraviolet) of raw linen fabrics.
They obtained at least one fiber colored across the sub-micrometer depth, comparable with thinnest coloration depth observed in the Turin Shroud fibers. However, they found that the total radiation power, required to color a linen surface corresponding to a human body, makes impossible the reproduction of the Turin Shroud image by using a single laser.
The researchers also produced latent coloration that appears after artificial or natural aging of linen following laser irradiations that at first did not generate any visible effect, and identified distinct physical and photochemical processes, which have played a role in the generation of the body image on the Turin Shroud.
“Our research proves that it is very difficult (almost impossible) replicating today all the main physical and chemical characteristics of the body image embedded into the Shroud of Turin,” says Dr. Paolo Di Lazzaro, lead author on the report and senior researcher at the ENEA Research Centre of Frascati, in his interview with Sci-News.com.
“As a consequence, it appears unlikely a forger may have done this image with technologies available in the middle Age or earlier. The probability the Shroud is a fake is really very very low. On the other hand, our results, taken alone, cannot prove the Shroud is the burial cloth of Jesus Christ. One should add our results to all the other historical, medical, palinilogical, textile evidences accumulated in the last 35 years.”
“It is possible that the body image was formed by a sort of electromagnetic source of energy. Our experiments show that many (not all) the peculiar properties of the body image of the Shroud are produced by a burst of photons in a very narrow range of parameters (pulse duration, intensity, number of shots). In particular, vacuum ultraviolet photons account for the very thin coloration depth, the hue of color and the presence of image in linen parts not in contact with the body. Obviously, it does not mean the image was produced by a laser. Rather, the laser is a powerful tool to test and obtain the light parameters suitable for a shroud-like coloration.”
Answering to the question on when and how the image on the Shroud of Turin was made, Dr. Di Lazzaro comments: “Our research does not address the problem of when, it gives some hints on how. In fact, in our opinion, the most important question is not when the Shroud was made. Independent of its age, middle age or first century, the most important question, the “question of questions” is how it is possible to do an image like the Shroud body image.”
“For sure, none of the hundreds attempts to obtain a shroud-like image by using chemical contact techniques – i.e. adding chemical substances like colors, powders, etc. – has achieved good results. Usually, the chemical approach gives similar macroscopic results, but it fails when analyzing the coloration with a microscope. At the microscopic level, the contact chemical approach does not give Shroud-like results. On the contrary, attempts using various radiations (vacuum ultraviolet photons, electrons from a corona discharge) give a coloration that looks shroud-like even at the microscopic level,” concludes Dr. Di Lazzaro.
https://aleteia.org/2022/04/22/new-technology-suggests-shroud-of-turin-is-2000-years-old/
In 1988 radiocarbon dating of
the Shroud of Turin found that the relic many faithful believe to be the burial linen of Christ originated about 700 years ago. While the study suggested the shroud was not authentic, it has done little to abate the faith of those thousands who make pilgrimage to Turin to venerate the relic. Now, a new dating technology has placed the fabric within the time of Christ.
The study was conducted by Dr. Liberato de Caro of Italy’s Institute of Crystallography of the National Research Council, in Bari. Dr. de Caro has employed a method known as “Wide-Angle X-ray Scattering,” or WAXS, which measures the natural aging of flax cellulose and converts it to time since manufacture.
The process has several key features that make it more desirable than radiocarbon dating, not least of which that it is completely non-destructive to the samples. Furthermore, the size of the sample required for WAXS is much smaller, requiring just a portion of cloth approximately 0.5mm x 1mm …
https://catholicstrength.com/tag/the-most-advanced-technologies-available-in-the-21st-century-could-not-produce-a-facsimile-of-the-shroud-of-turin-image/
… The
National Geographic article further states: “Their analyses found no sign of artificial pigments. ‘The Shroud image is that of a real human form of a scourged, crucified man. It is not the product of an artist,’ the project’s 1981 report declared. ‘The blood stains are composed of hemoglobin and also give a positive test for serum albumin.’ But the report also conceded that no combination of ‘physical, chemical, biological or medical circumstances’ could adequately account for the image. The Shroud of Turin, the STURP team concluded, ‘remains now, as it has in the past, a mystery.’”
The main findings of the STURP scientific study of the Shroud of Turin are summarized nicely by physicist Paolo Di Lazzaro:
“The Shroud is not a painting, no pigment, any directionality, not a scorch. The image encodes cloth to body distance, and it is present in both contact and non contact areas. The image is superficial, no more than 0.6 microns thick (work by others has shown 0.2 microns ). Invisible halos surround blood. Blood went on before image (no image beneath blood). The blood stains contain hemoglobin and serum albumin. Calcium and strontium and iron are uniformly present on the Shroud in small quantities (Paolo Di Lazzaro, ATSI 2014 Bari).”
Here is the official summary of STURP’s conclusions courtesy of a link provided by
shroud.com:
Summary of STURP’s Conclusions …
Expert on revered relic calls on British Museum to back up the results of its disputed carbon dating tests
www.theguardian.com
Expert on revered relic calls on British Museum to back up the results of its disputed carbon dating tests
... But one man – David Rolfe, a film-maker whose documentary
The Silent Witness had brought the shroud into the public eye in modern times, and who had converted to Christianity as a result of his research – wasn’t prepared to give up on it. He was convinced the carbon dating, carried out in 1988 under the direction of the British Museum and Oxford University, had been flawed. And now he claims he has the evidence to prove it. This week sees the release of a new film,
Who Can He Be?, in which Rolfe argues that, far from the shroud being a definite dud, new discoveries in the past few years have again opened the question of its authenticity.
So convinced is Rolfe that he’s issuing a challenge worth $1m to the
British Museum. “If … they believe the shroud is a medieval forgery, I call on them to repeat the exercise, and create something similar today,” he says. “Because from all the evidence I’ve seen, if this is a forgery it’s the most ingenious forgery in history – and of course it dates back almost 2,000 years, to a time of far less sophisticated forgery techniques.
“They said it was knocked up by a medieval conman, and I say: well, if he could do it, you must be able to do it as well. And if you can, there’s a $1m donation for your funds.”