Your above statement is simply crass.
Yes, it is. It is crass for a reason, think about it.
Did the palaeolithic or neolithic people leave us written texts of their rituals? No they did not.
Isn't that overlooking another obvious point of fact?; the paintings among other things were precursors to writing and written language. Every alphabet began with symbols that trace back to organic forms. We explored that long ago too, and there are residual evidences even today particularly among the Oriental written languages.
http://www.interfaith.org/forum/and-the-whole-earth-was-1610.html
particularly:
http://www.ethiopianhistory.com/Prehistoric_Cultural_Development
Is it possible that cave art had no ritual significance? Yes it is. It is that simple.
But Tao, it is also *possible* that one day pigs will evolve to fly. The reason the researchers come to the conclusions they do is by placing everything into context. You are trying to ignore the context in order to support your thesis. That's not good scholarship, and I think you are quite aware of what you are doing and why.
It is, as I seem to have to keep repeating in vain, the overwhelming religious dimension of modern thinking that infers the same meaning on the past.
You mean like how the overwhelming atheist dimension that runs rampant through the sciences tries to ignore and subvert anything to do with the spiritual experiences of humanity old and new?
Yet there is no evidence at all.
Sure there is. I've only scratched the surface. It is circumstantial evidence, but the weight of it is overwhelming.
Paints may well have first been used as camouflage and a scent masks for the hunt. A particularly creative teenager may have simply started painting because he or she was bored during the long dark nights of winter. You have no way to disprove that just as you have no way to prove they had religious meaning.
I have two illustrations for you:
#1: Is a modern military general dressed in full regalia with all medals and accoutrements just decorated for visual enjoyment?
#2: With that in mind, why are only certain bodies in cave gravesites decorated with red ochre? Why was red ochre even used at all? Why are there "reverse" handprints done by blowing powdered red ochre (some are also done in black, perhaps soot?, I forget). Ochre seemed contextually then very much like gold ornamentation to us today, and used in similar manners to evoke a sense of importance (whether that is status, or some other form of social stratification must be determined by context).
So sure, the *very first* efforts with paint may have been no more than slathering blood all over oneself, aeons ago. But by the time of the painted caves painting had become much more refined than you imply.
You can put forward religious meaning as a theory, as many have, but it is pure conjecture, nothing else.
I deserve this critique. I really do. I know I have called many others on relying soley on conjecture. I do see a difference though. First, it is not my conjecture, certainly not mine alone. It is shared across many many digs by many scholars in the field. Second, it is not *pure* conjecture if it is supported by circumstantial evidence.
The placement of the paintings in the caves (some are 12 feet or so high up on the walls!, some on ceilings!, both of which imply a deliberate manner and attitude that casual doodling would not elicit), the lighting situation, the proximity to carnivore relics and fire pits that strongly suggest a "teaching" or "training" area (I still hold to that training as inherently religious), finds of musical instruments and trinket artifacts such as the Venus figures, the realism of the animal renderings compared with the cartoonish or grotesque depictions of humans, basic human psychology per Freud and Jung, basic mythology per Campbell, latent animism in aboriginal tribes around the world that share elements in common with what is found in the painted caves, etc., etc., etc.
You are right of course...no Roman, Greek or Egyptian wrote that the caves were painted for religious purposes. So I guess that means all the other incidental and circumstantial evidences are just BS...how silly of me to think otherwise.
Hey, if it helps any, think of the challenge the realization of the religious significance is to my own Christianity...
Because frankly, if I really did have an agenda on this, I would be just as dismissive as you because it poses some real challenges to my own faith.
Even if it was it was a form of early animism that did not infer deity but simple homage and respect for an actual extant animal. Not religion....just respect for a dangerous animal.
I really do like you Tao, but I must ask how familiar you are with animism? Because this is nothing more than trying to turn a blind eye to the facts.
Tell you what, get Path of One in on this to get her opinion. Not only is she a dyed in the wool credentialed anthropologist, she is probably also the closest thing to an animist among us all here. If that is not acceptable, how about looking into the various Native American, South American aboriginals, Australian aboriginals, South Pacific islanders, Lapplanders, Ainu, and Kalahari Bushmen. Then try to tell me these animist peoples are not religious and that their decorations are *only* aesthetic with a straight face.