split post, sorry!
There is no question that the neanderthals had a cultural and spiritual life, given the artifacts found with them, including their burial practices. But they did not develop the artistic expression of even the earliest known sapiens such as the Cro-magnon. They left us, for example, no cave paintings or artistically decorated tools.
"Oldest cave paintings ever found light up human history
Philip Willan in Rome
Thursday October 19, 2000
The Guardian
Italians were distinguishing themselves as artists long before the Renaissance and medieval times, it seems.
Researchers have found images painted some 35,000 years ago - almost certainly the world's oldest cave paintings and possibly man's first artistic creations - in a hill near the north-eastern Italian city of Verona.
The images, presented at a press conference in the city yesterday, were painted in red ochre on rock and represent an animal with an elongated neck (possibly a weasel), a mysterious five-legged animal and a man - thought to be a wizard - wearing a mask with horns. They were found last year on fragments of rock from the walls of the Fumane Cave in the Lessini Hills, north of Verona.
"They are probably the oldest cave paintings, although we cannot affirm that with scientific certainty," said Professor Alberto Broglio, who teaches palaeontology at the university of Ferrara and coordinated the excavation.
The paintings, which could at first have been mistaken for smudges of dirt, may not have the visual impact of the bull daubed on a cave wall at Lascaux in southern France or the deer of the Altamira Cave in Spain, but they are at least 10,000 years older.
Dr Alessandra Astes, director of the Natural History Museum in Verona, said scientists were able to date the paintings, which measure between one and two feet long, through carbon dating and archaeological stratographic techniques, because the rocks had become detached from the cave wall and were buried under later generations of debris.
The figure of the man in the horned mask and with his arms outstretched was extremely rare in early cave paintings, said Dr Astes.
"The find is of enormous scientific significance, which goes far beyond its artistic or stylistic value," she said.
"The find is of exceptional value. I have been working as an archaeologist for 30 years and I have no hesitation in saying that."
Dr Astes believes the images are almost certainly the oldest in Europe and, therefore, in the world.
"No art forms of similar antiquity have been found in Africa, which is, after all, the cradle of humanity," Dr Astes said.
For researchers, who are still excavating the Fumane Cave, the discovery is a crucial link in the history of human life on Earth as well as a first glimpse of the creative instinct that inspired Leonardo da Vinci and Michelangelo in a later age.
The cave contains traces of Neanderthal man and evidence of habitation by modern Homo sapiens, including sharpened flints, bones and decorations made from sea shells. There are also the remains of a prehistoric hut.
The fragments were originally covered with stalagmites which, Prof Broglio said, helped preserve the images.
"This find completes our picture of the first representatives of modern man and throws light on the debate as to whether he descended from Neanderthal man or was an immigrant from the Middle East," he said.
The find supports recent DNA evidence that modern Homo sapiens were not related to Neanderthal man, the professor said.
He added: "The traces we have found show a clean break between Neanderthal and modern man both in terms of culture and lifestyle. There is an abrupt change in the techniques of decoration and the use of flint and bone tools. Everything changes, in a radical, brutal fashion."
Guardian Unlimited © Guardian Newspapers Limited 2003
http://www.guardian.co.uk/print/0,3858,4078522-103681,00.html"
This does not refute your comment, but it does help clarify some of it. I believe there is also a thread on this site that references a bone flute. While not cave art, music seems to me a very important expression of art. I have also seen examples of "dot art", for lack of a better term, forming geometric shapes and symbols, that I believe were attributed to Neandertal. I will have to re-find the references.
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OTHER (confusion over semantics of speciation):
Precisely what do you mean by "crossing the boundary from one species to another"?
Forgive the imprecision in my choice of linguistic expression. I had no reason to believe my words would be interpreted as implying the crossing from one family of animals into another, dragonflies becoming wombats or some such. I suppose it is inevitable that a person with a focus on science would demand explicitly precise language, and considering the confusion even among its own ranks regarding proper linguistic delineation and distinction, it must be of necessity.
Some of us, however, are more poetic in our expression. This does leave room for semantic interpretation and cause for misunderstanding, but it also allows for the beauty of the word to shine. Beauty, I think, is something science all too often overlooks. Sometimes words
are allegorical, after all. I simply need to recall that I must reinterpret my musings, and focus on my intended audience, and try to write to them at their level, in their language. Of course, this can be difficult if they cannot fully agree amongst themselves as to specifics of nomenclature, which leaves me confused as to how to get my points across in their language.
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The other way to get a new species that we have discussed is through population isolation. A single species is split into two species. This has also been documented both by experiment and in nature. And I don't think that can be called crossing the boundary either. It is more in the nature of erecting a boundary where there was none before.
Agreed, I have not attempted to refute this basic premise. My only exception to this has been that some related species have been re-introduced only to cross and hybridize, which renders the "species" distinction in question in these instances.
The other way for a species to change is by phyletic gradualism. This is a gradual accumulation of changes in one species such that the species at the end of the transformative process is different from the initial stock. When phyletic gradualism occurs over time, it has to be inferred from the morphology of fossil sequences as one cannot directly test whether the newer species could or could not interbreed with the ancestral species.
This is conjectural supposition. It is not unfounded, but it is not proven, by its nature.
But we also see examples of phyletic gradualism in which all the gradations from one species to another are contemporaneous. Such sequences are called "ring species".
"The Arctic Ocean polar ice cap limits the species range of Sea Gulls to its periphery. Races from Siberia freely interbreed with races from America. Races from America freely interbreed with races from Europe. Going the other way, Races from Siberia freely interbreed with races from the Caucauses. However, Western European herring gull (Larus argentatus) do not interbreed with the lesser black-backed gull (Larus fuscus) from Centrial Europe where these races of Sea Gulls occur together in northern Europe. So, all along the ring that circumnavigates the globe about the Arctic there is gene flow but where the two ends of the ring meet in Europe there is no gene flow."
http://geowords.com/histbooknetscape/f26.htm
Very well, but then we have this to deal with...
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It is very important to remember that evolution relates to species i.e. to populations, not to individuals. So we need to break down your question into more than one question.
1. If my pet chihuahua chooses not to mate with my neighbour's great dane, are they different species? Not necessarily. My pet chihuahua may just be finicky.
2. If chihuahuas in general choose not to mate with great danes in general, are they different species? Possibly. If they were the only breeds of dog in existence we could predict that this sexual preference on the part of chihuahuas would lead to them becoming separate species if they are not already.
3. If chihuahuas are physically incapable of mating with great danes (and I believe they are), are they different species? They certainly would be if they were the only two breeds of dog.
What prevents us from calling chihuahuas and great danes different species is the existence of other breeds of dogs, some of which can breed with chihuahuas, and some of which can breed with great danes, and which also breed with each other. So even if chihuahuas and great danes cannot interbreed directly, there is still an avenue of gene flow from one population to another via the intermediate breeds. This situation is analogous to a ring species, though I don't know that biologists would apply that term to dogs.
So, what differentiates between the seagull species that interbreed, and the dog breeds that interbreed? It seems to me, by all of the effort put forth in this discussion to this point, that by the definitions established, the seagulls are not species but breeds (or varieties). Either that, or the dogs are not breeds, but species that are able to interbreed. This is the exact confusion I am running into across the board in my research. So I must assume that "species" and "breed/variety" are effectively interchangeable, depending on the particular researcher, even though most ascribe to the requisite definition of species as not being able to intermingle. Does this better establish my quandary?
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MISC:
There is no doctrine of evolution as evolution is not a religious outlook. There is a theory of evolution which has a great deal of evidential support.
Ah, now, we could go here very easily, but it would derail this thread. You will find a bit about my take on this issue in the thread "Religion as a Meme." In short, evolution is a dogma, science is a religion.
There is still much to cover that I haven't had the time for as yet. Already I have invested several hours into this post, I must go for now. Thanks for your input! I always enjoy an intelligent discussion.